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Cat's Cradle
by 
Kurt Vonnegut
  
Average rating: 
Publisher: RosettaBooks
Subject(s):  Classic Literature
Fiction
Humor (Fiction)
Science Fiction
Language(s):  English
Awards:  Hugo Award Nominee
World Science Fiction Society

Format Information

Adobe PDF eBook add to cart
Available copies:  
Library copies:  
File size:   1276 KB
ISBN:   079530272X
Release date:   Jan 28, 2002

Description

If any single novel of Kurt Vonnegut's can represent his unique voice and freewheeling imagination, it is probably the wildly funny and provocative Cat's Cradle, published in 1963. Though it might not be his most substantial or popular novel, Cat's Cradle is a perfect vehicle for his idiosyncratic style and his kaleidoscopic view of the modern world. The story unfolds from the point of view of a narrator, who, in preparing to write a book, wants to know what some famous Americans were up to the day the atomic bomb was dropped on Hiroshima. He learns that, on that very day, Dr. Felix Hoenikker—an absent-minded professor who was the erstwhile "father of the atomic bomb"—was uncharacteristically playing with string, making a cat's cradle and terrifying his young son by showing the boy his creation and speaking to him for the first time. Years later, the grown-up Hoenikker children are the key to what follows, possessing as they do the only example of their father's last discovery, a potentially destructive kind of super-ice called "ice-nine." Cat's Cradle is a wild, hurtling apocalyptic tale that satirizes, among many other things, the blithe indifference and goofiness of the people who populate the nuclear science community. The story travels from the home turf of Vonnegut's imagination—Ilium, N.Y.—to a Caribbean banana republic where an illicit religion called Bokononism is practiced, as a sense of doom (in the form of ice-nine) overtakes mankind. The New York Times perhaps said it best in describing Cat's Cradle as "a freewheeling vehicle ... an unforgettable ride."

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Excerpts

Chapter 1: The Day The World Ended...
Call me Jonah. My parents did, or nearly did. They called me John. Jonah-John-if I had been a Sam, I would have been a Jonah still-not because I have been unlucky for others, but because somebody or something has compelled me to be certain places at certain times, without fail. Conveyances and motives, both conventional and bizarre, have been provided. And, according to plan, at each appointed second, at each appointed place this Jonah was there. Listen: When I was a younger man-two wives ago, 250,000 cigarettes ago, 3,000 quarts of booze ago. . . When I was a much younger man, I began to collect material for a book to be called The Day the World Ended. The book was to be factual. The book was to be an account of what important Americans had done on the day when the first atomic bomb was dropped on Hiroshima, Japan. It was to be a Christian book. I was a Christian then. I am a Bokononist now. I would have been a Bokononist then, if there had been anyone to teach me the bittersweet lies of Bokonon. But Bokononism was unknown beyond the gravel beaches and coral knives that ring this little island in the Caribbean Sea, the Republic of San Lorenzo. We Bokononists believe that humanity is organized into teams, teams that do God's Will without ever discovering what they are doing. Such a team is called a karass by Bokonon, and the instrument, the kan-kan, that brought me into my own particular karass was the book I never finished, the book to be called The Day the World Ended.
 

Synopsis

Cat's Cradle travels from the home turf of Vonnegut's imagination, Ilium, N.Y. to a Caribbean banana republic where an illicit religion called Bokononism is practiced, as a sense of doom (in the form of ice-nine) overtakes mankind.

About the Author

Hailed by Graham Greene as one of the best living American writers, Kurt Vonnegut is one of the definitive voices in American literature in the second half of the 20th century. Born in Indianapolis in 1922 and a veteran of World War II (Billy Pilgrim of Slaughterhouse Five is his exact contemporary), he worked for General Electric before publishing his first story in 1950 and turning to writing full time. From the beginning, science fiction was an important element in Vonnegut's writing -- his early stories were published in science-fiction magazines -- though his work is in no way merely generic. A scathing and dark wit, a sly intelligence and a richly evolved sense of the absurd make Vonnegut's writing like no one else's. Doris Lessing called him one of the writers who map our landscapes for us, who gives names to the places we know best.
Vonnegut's first novel Player Piano was published in 1952, and his novels, stories and essays began to appear regularly in the years that followed. It was the publication of The Sirens of Titan (1959) and, ultimately, Cat's Cradle (1963) that established Vonnegut as a major new writer with the general public, both in the U.S. and internationally. The appearance of Slaughterhouse Five six years later brought him an increasingly rare double distinction for a serious writer -- critical acclaim and bestselling success. Vonnegut's other notably titles include God Bless You, Mr. Rosewater; Welcome to the Monkey House; Breakfast of Champions; Slapstick; Jailbird; Deadeye Dick; and Hocus Pocus. Time magazine has described Kurt Vonnegut as George Orwell, Dr. Caligari and Flash Gordon compounded into one writer ... a zany but moral mad scientist.

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